Raoul Silva (
oedipusrat) wrote2020-03-31 09:35 pm
TLV PSL ASAP (for
wetware)
[several months after this initial interaction]
Rachette doesn't kick in the door. She's not a barbarian. But the door is definitely opened in a manner that is heavier and harder than strictly necessary. Being The Warden was pain enough; being a warden is...irritating.
"He talks too much."
That's a possibly very petty thing to complain to the mage (who has explained to her that he is not a mage, but she remains not entirely convinced of this) about his...companion? Compatriot? Person from his same world. But talking to her inmate, a man who seems to prefer the name Silva to any of the other potential names he could be going by, is as frustrating as talking to Sten sometimes. Roundabout. Never to the point. Why does nobody ever just say what they mean?
The dwarf huffs and blows a few strands of silver hair from her face. "He uses too many words in strange ways. Would it kill him to just talk like a normal person instead of blathering on? Before I kill him."
She won't. That's not what she's here for, and he hasn't given enough reason to make her want to. But by the Stone and all of the Ancestors, he makes her job so difficult. Fighting a mob of darkspawn sometimes seems preferable.
Rachette doesn't kick in the door. She's not a barbarian. But the door is definitely opened in a manner that is heavier and harder than strictly necessary. Being The Warden was pain enough; being a warden is...irritating.
"He talks too much."
That's a possibly very petty thing to complain to the mage (who has explained to her that he is not a mage, but she remains not entirely convinced of this) about his...companion? Compatriot? Person from his same world. But talking to her inmate, a man who seems to prefer the name Silva to any of the other potential names he could be going by, is as frustrating as talking to Sten sometimes. Roundabout. Never to the point. Why does nobody ever just say what they mean?
The dwarf huffs and blows a few strands of silver hair from her face. "He uses too many words in strange ways. Would it kill him to just talk like a normal person instead of blathering on? Before I kill him."
She won't. That's not what she's here for, and he hasn't given enough reason to make her want to. But by the Stone and all of the Ancestors, he makes her job so difficult. Fighting a mob of darkspawn sometimes seems preferable.

no subject
"I don't think so? Perhaps that's the problem. It's trying to pass on information in a way that is fundamentally incapable with us, our systems." He sways in place, and almost puts his hand out against the wall to stop himself, but withdraws at the last minute. Right where he had planned to touch, there was a sudden, almost fungal bloom of that green-grey light.
"...Silva. I think, perhaps, we should just turn it off. Tinker with it later."
no subject
This is a former top tier agent of MI6. Have you ever known them to be anything but staggeringly reckless with themselves? Too smart, too curious for his own good. That had always been the case.
It almost hurts to look at, not for the glow, but for the information that is trying to get passed on. It may not be a jamming signal at all, just broadcasting something that wasn't compatible. The glow forming on the wall is new, though. Concerning. Maybe it is a virus of some sort, but one that's, what, physically infecting the ship? Reacts to, hm, proximity? Or to the presence of technology?
"If I can connect to it, I can figure something out. Shut it down from the inside, at the very least. Even alien code is still code. Like music is mathematics, there are things with order."
There's a cable in his hand, not unlike plugging ones phone into a USB port. The static is almost singing. Maybe he can make out the words.
no subject
"I do not want to have to ...what if it rewrites you?" He moves closer to Silva's side and while he doesn't touch, there's a zinging, humming burst of static between them. "It hurts, like biting on tinfoil, and I don't think it will be any less painful from the inside."
no subject
Oh, there's probably an easier way than that, but Silva reaches out, picks up the device, and the glow brightens, cascades down his skin. "I am no stranger to pain, and I am the only one who rewrites myself." It's static but it's humming, and his HUD is glyphs and letters.
He attaches one end of the cable to his mechanical eye, the other into the device. For a brief moment, everything is green-grey and bright and shining and discordant song, pitching higher and louder, data swirling and somehow this, too, is loud, and he wants to reach out, reaches a hand to tap tap tap, to wrangle something in and make order, there is order, there must be order, and he can taste the color on his tongue, smell oh it's something sharp as ozone but sweeter, pull it out, pull a thread, pull it apart, pull him apart too bright too loud too much--
The next moment is black and nothingness.
no subject
As Silva plugs the damned box into his eye, the room bursts with grey-green light and coding drips off the walls. It runs up and over everything in there, trying to find a way inside, and Q is not having any of that nonsense. He grabs hold of the other man's shoulder and mentally shoves unwelcome data away. No, whatever this box is, it can't have either of them.
Green light and a softer, gentle pale blue go to war and...well, it's not a hammer, but Q does prefer to wear good, sturdy shoes. On one level he can try to disentangle them from some alien computing nonsense and on a more physical one, he can do his best to stomp the bloody hell out of a nasty box.
no subject
And there is blue.
A beautiful, soft, light blue.
There's the sickly green as well, when his mechanical eye goes through its own little startup process and buzzes back to awareness. He may not be attached to it any longer, but it lingers nevertheless. Not as harsh, not so utterly overwhelming. But the static remains. It's not singing, at least.
But the blue hums something soft and enchanting. He's not sure if it's real. His senses are all out of whack, tingling, buzzing.
It's blue and it's Q.
The box flickers, squeals, flickers again under the assault, and then the green light abruptly ceases. And the glow around the room vanishes with it. Maybe it's broken, but at the very least it's off now.
It lingers in his mind's eye. In his mechanical eye. But it's not pulling singing screaming spiraling. The blue lingers, too. His HUD is a wash of colors, small alerts about his own systems, heart rate, blood pressure, but the "jamming signal" is gone.
He stares at Q, cable dangling out of an eye, the other wide, Unfocused and yet seeing him, or seeing beyond him, or seeing him. Sways again. Doesn't feel his legs give out, barely feels the floor coming up to meet him. He's still awake. He's still here. 'Here' just seems to be a variable term.
no subject
There's a final, angry snarl as he kicks the damned box once again for good measure before moving whip-quick to catch the other man before he falls. "Silva, come on. Let's regroup."
Does he need to drag him? He will.
no subject
"Look at you," he manages, breathless and light. He is awed.
Q is also holding him, and he's not an insignificant amount of man, so that is also quite impressive. He'll be impressed by this later. For all he knows, he's floating.
Some of his nerves finally kick in, and he jerks a hand to his eye, likewise jerks the cable from hit. Breathes in deeper and huffs out long and hard. One leg kicks out, seemingly at random, nerves firing, but he grunts and makes it do what he needs it to do. Get a foot under him. Support some weight. The other leg is being uncooperative. Give him a moment.
"A hammer," he repeats with a laugh, finally starting to sound like himself in some fashion, internally struggling with his own systems until each part runs green (figuratively). Gets himself back on his feet. He looks worn. But he's here.
"A beautiful hammer."
no subject
"I can't carry you, not far." This close he can almost hear the way data sings through Silva. That's what's beautiful.
no subject
He doesn't really want to pull away. Would prefer not to. This static isn't the same kind of static, something more vibrating, something like live wire but pleasant. But he is a grown man who can't allow some bit of tech to get the better of him, and he moves. Moves so that he can get. the hell. up.
Better. That's much better.
"I will spare you that indignity."
But oh, touching would be even better, wouldn't it? He reaches out a hand to take Q by the arm. The passing between them. Does he feel that, or is that still aftereffects, nerve endings firing and misfiring?
no subject
...and this is what he'd been trying to avoid. He looks around the room and notices that his scarf has fallen away. The top two of his ports - dark grey metal grafted into his neck - are visible, and he knows that's a conversation he won't be able to avoid.
"I appreciate it." The box remains quiet on the floor. A former boss of his called the technique a 'Russian screwdriver'; if you don't have the refined tool you need, sometimes you just need to hit it until the lights stop flashing.
no subject
And why not explore that? With the immediate danger passed. Beautiful blue Q and his codes, the datastream coursing through, Silva would swear he could almost taste it, ambrosia.
His hand tightens, tugs. Brings his other hand up to curl near reverently at Q's neck, pulse on his palm, fingers brushing around back, to so gently touch the metal there.
no subject
He blinks once. Twice. And pulls all his code back. No more wireless broadcasting. No inhuman anything. Q can maintain some semblance of control and not let a hacker near his ports. (He has ports. This is his life now, ports. Christ.) Still, he doesn't force a physical distance between them.
When he looks back at Silva, his eyes are their usual, human colour; a pale blue-green that could almost match the glow of his circuits from just a moment ago. "It's broken. We should...when you're ready, we should head back."
no subject
And in the span of a few breaths, a retreat. The shock of music data code connectivity shutters away.
Silva swallows down the abrupt feeling of emptiness. Leaves a lingering trace along a port before reluctantly removing his hands. This has been a most interesting and exhausting day already.
"Somewhere safe."
no subject
"It's safe enough there." He stays close enough that if Silva needs to lean or rest, Q will support him. The walk back isn't too long, but it's even more apparent now that the lighting reacts to Q's preferences. Doors open before they get there, any lifts they need arrive and leave for their destination without any effort on his part.
no subject
Well, for seeing Q in brilliant and blazing glory. He decides that's a fair enough trade. Doesn't lean. Sometimes there's still pride left to consider. But he appreciates the closeness.
Recharge. That sounds good. He doesn't plug into anything, rests like normal, but Q has to recharge.
"Is there anything you don't control? Apart from me." With a lopsided grin.
no subject
Has Silva ever seen Q's quarters? Probably not. They're not large, but there's a bed, desk, a bookshelf overflowing with neat stacks of novels and texts, and a strange looking reclining chair that has a gap all along where a person's spine would be. Hanging on the wall beside it are a series of cables - some are for power, others appear to be information, and the spike on at least one of them is distressingly long.
no subject
You bet he's taking the room in. Pretends for a moment not to be so interested in the plugs, because--this, too, will probably fade. The rest, though, this is Q, this is his space. Personal, personality.
"I made a mistake." You see? He can admit it. He glances over at Q, briefly, before continuing around the room. "I so wanted to learn about it, but--you saw, yes? It was so loud. It is a wonder I didn't start smoking out of my face. But." There's the rub. "This means the two of us, we are still the most qualified to examine it."
Later. Obviously.
no subject
"I couldn't filter it out, and at this point, I don't really know where my limits are." How he hates having to admit such a weakness. He'll be honest, of course, because that's what needed, but it smarts. It might make him a trifle more defensive than usual. "And, you do realize that I'm in my mid-thirties?"
no subject
All of that to say they're ignoring the other elephant in the room. Maybe this shouldn't be the time to dance around.
"Later. This device, this is a puzzle for later. You need to recharge, hm, like a battery?" He motions to the setup. "You do this by yourself?"
no subject
Still, better to be ashamed than worry that some mad space-box overrode Silva's mind and was using him to do who knows what to the Barge and her systems. Q frowns and slips away, into the bathroom to change into a pair of drawstring sleep trousers. He can't wear a shirt if he wants to be comfortable and actually rest.
Without a shirt to cover his skin, the traceries of faintly glowing wires are far more visible. A mirrored pattern that runs under his skin, alike but not identical to his nervous system. There are eight ports that run down his spine and each of these is surrounded with a dense cluster of glowing wires.
no subject
He is here to learn the error of his ways, to earn redemption. He can rewire himself. But this time, help is needed.
But it's a far step between 'not overly antagonistic' to 'invited to room and be shirtless'. Silva gives him an appreciative look. Because he does appreciate that form. And what has changed about that form.
"Would you like a hand?"
no subject
"I can manage the mainline, but if you would be kind enough to hand me the other cables, it would be appreciated." Right then. This is madness, but what isn't in this place? He takes a drink of water and then goes to sit on the modified chair.
The mainline is the thickest cable and the one with the wicked looking flexible spike at the end. Q leans forward, holding his hair out of the way and then slowly, with steady hands, begins the process of tying himself into a machine. It's not until it clicks home and he turns to lock it that he relaxes. In fact, it's probably the most at ease Silva has ever seen him.
no subject
He crosses the room, easy as anything. The hesitation isn't so much hesitation as it is examination, both the lines and the ports. What an angle. What a delight. Were he a far worse man, he might take advantage of such a position.
A cable in hand, he leans down to more easily pass it over to Q. Brushes against skin.
Leans farther down, his breath on Q's neck. He is not a far worse man, but when is he one to resist temptation? The barest touch of lips against a port.
"Why don't you want people to see how breathtaking you are?"
no subject
There's a soft hum when it connects. Either Q made it, or the power cable did. Who can tell? He's certainly not about to give up his secrets. Well, not all of them. A modified Alexa sits on a nearby table and appears to power on and speak with Q's own voice: "Why should I? I'm not for their consumption."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)